
THE COMPLETE BOOK · FREE TO READ
Squash and Spring
Vince makes a bed for his toy duck. He squashes and bends a sponge, presses a hollow in clay, and notices which shapes return and which stay. The grown-up guide connects his choices to elastic behaviour and lasting shape changes.
Turn the pagesOr scroll to readA bed for Duck
Pages 1–2
A bed for Duck. This sponge is soft.
Explore together · Choosing materials
Vince brings his toy duck to the board and touches the sponge beside the clay. Touching and pressing can help us notice how a material yields. Softness alone does not tell us whether a changed shape will stay.
Ask together: What could Vince use to make Duck’s bed?
Squash, then let go
Pages 3–4
I squash it. I let go. Up again!
Explore together · Recovery after compression
Vince presses the sponge against the board. With his pressing hand above it, the sponge is thicker again. The selected resilient foam changes shape under a push and returns towards its earlier shape after release. Different foams can recover differently.
Ask together: What changes when Vince lifts his pressing hand?
Bend, then let go
Pages 5–6
I bend it round. It opens out.
Explore together · Recovery after bending
Vince bends the sponge into a curve, then sets it down with his hands away. It opens out again. Bending changes the shape in another way. This sponge does not keep the curved shape when the bending forces are removed.
Ask together: What happens to the curve when Vince lets go?
Making a hollow
Pages 7–8
Can I make a hollow? This clay squashes too.
Explore together · Changing clay by pressing
Vince brings his fingers to the soft clay and presses a hollow while the sponge waits beside it. The clay also yields under a push. The next spread invites a comparison after the pressing fingers leave.
Ask together: Where is the clay’s shape changing?
The hollow stays
Pages 9–10
Hands away... The hollow stays.
Explore together · Retained deformation
Vince lifts his hands. The hollow remains in the clay while the sponge rests nearby. Soft modelling clay can keep a changed shape without turning hard. This lasting change is called plastic deformation; plastic here describes the change, not the material’s name.
Ask together: What stays the same when Vince moves his hands away?
A little wider
Pages 11–12
A little wider. Now there’s room.
Explore together · Reshaping a retained form
Vince presses the low clay sides outward, then places Duck inside the wider hollow. The sponge waits beside it. Keeping a shape does not mean the clay cannot change again. Further pressing widens the hollow so Vince can try Duck inside.
Ask together: What has changed around Duck?
Two materials, one bed
Pages 13–14
Sponge in the hollow. A soft bed for Duck.
Explore together · Using different material behaviours
Vince places the sponge in the clay hollow, then settles Duck on the cushion. The shaped clay supplies low sides and the foam supplies a yielding cushion. A light toy need not leave a large dent, and neither material is best for every job.
Ask together: What job does each material do?
Remembering the day
Pages 15–16
For grown-ups
Pages 17–18
For Grown-Ups Vince wants to make a bed for his toy duck. Follow his hands: what changes while they touch a material, and what happens when they move away? Each story spread shows successive moments. A shape that comes back A push can squash this sponge against the board. Bending it changes its shape another way. When Vince removes his hands, the resilient foam returns towards its earlier shape. This is elastic behaviour. Softness tells us how easily something yields; it does not tell us whether the new shape will remain. A shape that stays Soft modelling clay can keep a hollow after the pressing fingers leave. This is plastic deformation: the change is not automatically undone. Here, plastic describes a kind of shape change, not the name of the material. The clay has not turned hard. Vince can press it into a wider shape. Two useful behaviours The shaped clay makes the bed’s low sides. The foam supplies a yielding cushion. Neither material is best for every job. A light toy may barely compress its cushion; we do not need a large dent to know what Vince felt with his hand. Look together Find a hand touching the sponge, then a gap. Which shape returns? Which hollow remains? What does Vince change after he notices that the sponge will not stay bent? Try a gentle comparison With a grown-up, choose a clean resilient foam sponge and soft modelling clay suitable for the child. Press each gently against a tray, lift your hand away and watch. Try another gentle shape. Do they respond alike? Avoid mouths and tearing pieces off; follow the material’s age and handling guidance. Watching is welcome. Different materials, different responses Some foams recover slowly, lose shape or tear. Clay stiffness also varies. Use what your own materials show; do not force them to match the pictures. The story compares these two examples, not every sponge or every clay. No timing or equal-force measurement is shown. Science: Institute of Physics, Stretching and compressing materials; OpenStax, Elasticity: Stress and Strain; Polyurethane Foam Association, Foam Performance; Crayola, non-hardening modelling clay information.
Open these pages in the readerSources and evidence
Forces at the hands and supporting board can change shape through compression; opposing hand contacts can bend a flexible sponge.
Institute of Physics: Stretching and compressing materials
Shape changes depend on the material and where forces act. The story shows successive moments, not measured forces or an equal-force comparison.
The selected resilient foam sponge can recover towards its earlier shape after gentle compression or bending and release.
OpenStax College Physics2e 5.3 Elasticity: Stress and Strain
Polyurethane Foam Association: Foam Performance
The story uses resilient foam. Some foams recover slowly, lose shape or tear; no exact recovery time or limitless elasticity is promised.
Soft non-hardening modelling clay can retain a pressed hollow after release and can be reshaped by further pressing.
Institute of Physics: Stretching and compressing materials
Crayola: Modeling Clay, Natural Colors
The story uses soft non-hardening modelling clay. A retained hollow does not mean the clay has hardened or can never change again; composition and temperature affect its response.
Material choice can combine a retained clay shape and a yielding foam cushion for a light toy.
Polyurethane Foam Association: Foam Performance
Crayola: Modeling Clay, Natural Colors
This is a small toy bed. A light duck may barely compress its cushion; neither material is best for every purpose.
Foam firmness/recovery and clay stiffness vary, so an optional comparison should follow the actual materials rather than assume all behave alike.
Polyurethane Foam Association: Foam Performance
Crayola: Modeling Clay, Natural Colors
Use what your own materials show. Choose materials suitable for the child with a grown-up, press gently, avoid mouths and tearing pieces off, and follow age and handling guidance. Watching is welcome.
A story worth keeping?
Read it here as often as you like. The physical edition is coming soon.